All Colman Samuel Oil Paintings

American Hudson River School Painter , 1832-1920 was an American painter, interior designer, and writer, probably best remembered for his paintings of the Hudson River. Born in Portland, Maine, Colman moved to New York City with his family as a child. His father opened a bookstore, attracting a literate clientele that may have influenced Colman's artistic development. He is believed to have studied briefly under the Hudson River school painter Asher Durand, and he exhibited his first work at the National Academy of Design in 1850. By 1854 he had opened his own New York City studio. The following year he was elected an associate member of the National Academy, with full membership bestowed in 1862. His landscape paintings in the 1850s and 1860s were influenced by the Hudson River school, an example being Meadows and Wildflowers at Conway (1856) now in the collection of the Frances Lehman Loeb Art Center at Vassar College. He was also able to paint in a romantic style, which had become more fashionable after the Civil War. One of his best-known works, and one of the iconic images of Hudson River School art, is his Storm King on the Hudson (1866), now in the collection of the Smithsonian American Art Museum in Washington, DC. Colman was an inveterate traveler, and many of his works depict scenes from foreign cities and ports. He made his first trip abroad to France and Spain in 1860-1861, and returned for a more extensive four-year European tour in the early 1870s in which he spent much time in Mediterranean locales.
 

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Colman Samuel Blick auf den Hudson oil on canvas


Blick auf den Hudson
Blick auf den Hudson
Painting ID::  45350
  mk181 1865-69 Ol auf Leinwand 38x76.2cm
  mk181 1865-69 Ol auf Leinwand 38x76.2cm

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Colman Samuel Storm King on the Hudson oil on canvas


Storm King on the Hudson
Storm King on the Hudson
Painting ID::  31893
  mk77 1866 Oil on canvas 32 1/8x59 7/8in
  mk77 1866 Oil on canvas 32 1/8x59 7/8in

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Colman Samuel Storm King on the Hudson oil on canvas


Storm King on the Hudson
Storm King on the Hudson
Painting ID::  38370
  mk136 Oil on canvas 1866
  mk136 Oil on canvas 1866

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Colman Samuel Storm King Uber dem Hudson oil on canvas


Storm King Uber dem Hudson
Storm King Uber dem Hudson
Painting ID::  45238
  mk181 1866 Washington
  mk181 1866 Washington

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Colman Samuel Edge of Doom oil on canvas


Edge of Doom
Edge of Doom
Painting ID::  73788
  Date between 1836(1836) and 1838(1838) Medium Oil on canvas Dimensions 137.2 X 199.4 cm (54.02 X 78.5 in) cyf
  Date between 1836(1836) and 1838(1838) Medium Oil on canvas Dimensions 137.2 X 199.4 cm (54.02 X 78.5 in) cyf

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     Colman Samuel
     American Hudson River School Painter , 1832-1920 was an American painter, interior designer, and writer, probably best remembered for his paintings of the Hudson River. Born in Portland, Maine, Colman moved to New York City with his family as a child. His father opened a bookstore, attracting a literate clientele that may have influenced Colman's artistic development. He is believed to have studied briefly under the Hudson River school painter Asher Durand, and he exhibited his first work at the National Academy of Design in 1850. By 1854 he had opened his own New York City studio. The following year he was elected an associate member of the National Academy, with full membership bestowed in 1862. His landscape paintings in the 1850s and 1860s were influenced by the Hudson River school, an example being Meadows and Wildflowers at Conway (1856) now in the collection of the Frances Lehman Loeb Art Center at Vassar College. He was also able to paint in a romantic style, which had become more fashionable after the Civil War. One of his best-known works, and one of the iconic images of Hudson River School art, is his Storm King on the Hudson (1866), now in the collection of the Smithsonian American Art Museum in Washington, DC. Colman was an inveterate traveler, and many of his works depict scenes from foreign cities and ports. He made his first trip abroad to France and Spain in 1860-1861, and returned for a more extensive four-year European tour in the early 1870s in which he spent much time in Mediterranean locales.

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